This is constructed in its first bar from the four last notes of the Subject, which here are assigned to the Treble, the Contralto being formed from the detached figure of the Codetta, the Bass part being complementary. In the same year Liszt became close to the circle of George Sand and Adolphe Pictet, both Bach devotees. 3 No. It is the second prlude and fugue in the first book of The Well-Tempered Clavier, a series of 48 prludes and fugues by the composer. Prelude in Music | What is a Prelude in a Song? Counterpoint in the Baroque Period: Definition, Harmony & Examples, Decorative and Ornate Music of the Baroque Era, Counterpoint in Music: Theory & Examples | Five Species of Counterpoint. When Bar 8 is reached, however, the ground occupied in the key for the time being is of half the original duration, one bar sufficing instead of two, because Double Counterpoint is not immediately brought to bear upon them. Bach's most famous organ works, BWV 578 is nicknamed "little" to distinguish it from another, longer Bach organ fugue in G Minor (BWV 542). In the fifth fugue, we hear it with some intervals filled in with rather jazzy, dotted rhythms. He remarked "[a]fter reflecting further on this resemblance, I then realized that the other theme as well was derived from my own idealization of Johann Sebastian Bach's Fugue in A Minor BWV 543. You all have to take the same approximate route, but if you try to drive in the same place at the same time, you'll probably get in a car wreck. Bars 5-6: Codetta, modulating from A minor to C major. A fugue is a contrapuntal composition in which a single theme pervades the entire fabric, entering in one voice (or instrumental line) and then in another. - Books & History, Counter Catholic Reformation: Definition, Music & Timeline, Hagia Sophia: Definition, History & Architecture, Working Scholars Bringing Tuition-Free College to the Community, Describe the importance of the subject and answer to the composition of the fugue, Explain how Baroque composers added contrast to the subjects and applied manipulation to the fugue, Identify Johann Sebastian Bach's influence on this style of music. A Counter-subject is absent on one occasion, Bars 26-27. There are still many recordings to be made before the whole of Bach's oeuvre is online. While there, he met up with his friend Jean-Joseph Bonaventure Laurens, an organist, artist and writer. It was popular to have the melody sung by a four-part choir in succession (please see the video at 01:24 to hear this succession). Stack Exchange network consists of 181 Q&A communities including Stack Overflow, the largest, most trusted online community for developers to learn, share their knowledge, and build their careers. Episode III (Bar 15) in its first bar has the detached figure of the Codetta in the Treble and Bass, and reminiscences of the last notes of the Subject in the Alto. In his book, Stinson gives the A minor prelude of BWV 543 as the main example for how the process works, with particular attention given to how the pedal part can be filled in from the right hand. His 'Little' Fugue in G minor is a popular example. Famed for its iconic opening, Bach' s Toccata and Fugue in D minor (BWV 565) is one of the most well-known pieces of organ music ever written. It helped me pass my exam and the test questions are very similar to the practice quizzes on Study.com. This means that after almost 80 minutes of D minor, the work ends with a four-minute chorale prelude in G major. Although less prolific than copyists like Johann Friedrich Agricola, from the many hand-copies circulated for purchase by Anon 303, including those from the Sing-Akademie zu Berlin recovered from Kyiv in 2001, commentators agree that the professional copyist must have enjoyed a close relationship with C. P. E. Bach. The Baroque period was more about expressive music, though, and composers wanted to write music without being tied to text. The fugue theme, like that of the prelude, is composed of arpeggiated chords and downward sequences, especially in its later half. Figured Bass Symbols Overview & Examples | What is Figured Bass Notation? The exposition First episode Measures 12 to 19 Measures 19 to 24 Final measures Complete Fugue. You don't stop driving just because they've started, and now you're onto another section of the course. [12], Already in 1836, early in his career, it is known that Liszt had developed a reverence for Bach's great "six preludes and fugues", BWV 543548, or "The Great Six" fugues as they became known in the nineteenth century. There is an exposition for each of the four parts, three in the manuals and one in the pedal, each lasting four and a half bars with a connecting half bar. In particular, something that shows every point and manner in which the theme occurs, as well as its variations. Your title is "Bach fugues" then your post says "THE fugue." Already in 1751 it was advertised as being arranged in such a way as to be playable by two hands on a keyboard instrument, and this has led nearly all scholars to conclude it was conceived for the harpsichord. In search of originality, I found myself trapped in one of my deepest loves. Due to the sequential nature of the subject, the majority of the fugue is composed of sequences or cadences. Why is this the case? Please help us to complete the musical heritage of Bach, by supporting us with a donation! In 1903 Straube had gone to teach at the conservatory in Leipzig, where he became organist at the Thomaskirche and later, in 1918, the Thomaskantor, a position once filled by Bach. That Bach could be misjudged for so long, is the greatest scandal for the critical wisdom of the eighteenth and nineteenth centuries. His new mistress was Princess Carolyne von Sayn-Wittgenstein, who lived in a country estate at Woronice in Ukraine; their companionship continued until Liszt's death. Get unlimited access to over 88,000 lessons. They were based on an earlier idea from the Renaissance Period called imitative polyphony, where multiple singers would sing the same melody at different times. But this is just one small example, spanning barely two measures, in a Fugue that I imagine has been studied and dissected at length. academy of western music; mucinex loss of taste and smell; william fuld ouija board worth. harpsichord works, BWV 867. One of the more striking examples occurs near the end where a variation of the theme enters strongly in the bass voice: If one plays the chords from low-to-high, as is traditional and appropriate through most of the piece, then that voice is lost in contrast to playing the chords from high-to-low in this one section. So the question remains open whether after his death, a final page went missing, or whether he had indeed composed it but not yet written it down, or even deliberately left it incomplete. Study the definition of the fugue, the parts of a fugue, how Johann Sebastian Bach became known for his fugues and examples of this musical composition. Manipulations let the composer stretch the fragment into long notes, shrink it into little, fast notes, play it backwards retrograde, or even turn it upside down. An example would be Bach's cantata Wachet auf. He picks out the fugue of BWV 543, nicknamed "The Great", as a quintessential example: its performance on the organ, where Mendelssohn effortlessly mastered the pedalwork; the fugue as a compositional model for both Mendelssohn and Brahms; the piano transcription regularly played by Liszt and Brahms; and the actual publication of Liszt's transcription, which inspired budding pianists. In semi-serious banter, Liszt demonstrated three ways of playing the A minor fugue, a work that Laurens said was so hard that only Liszt might be the only one capable of tackling it. Unlike most of Bach's minor-key keyboard works, it ends on a minor chord rather than a picardy third. After three months in Woronice, Liszt set to work on preparing the transcriptions of BWV 543548. The Coda is built upon suggestions of the latter part of the Subject and Counter-subject. Associate Professor in Piano, Sydney Conservatorium of Music, University of Sydney. His friendship with the Schumanns and Mendelssohn and the Bach library he had assembled with them enabled Laurens to become one of the main experts on Bach organ works in France. Let's use this piece to explore the different . This frequently occurs after this point. Liz has taught music for K-12 and beyond. Connect and share knowledge within a single location that is structured and easy to search. ai thinker esp32 cam datasheet The Toccata-like Prelude in A minorin the stylus phantasticusbears the hallmarks of Bach's early, north German-influenced style, while the fugue could be considered a later product of Bach's maturity.[1][2]. [1], In his book on the reception of Bach's organ works in nineteenth-century Germany, the musicologist Russell Stinson immediately singles out Felix Mendelssohn, Robert Schumann, Franz Liszt and Johannes Brahms. Hs. Fv 27, 2023 . It is a highly complex fugue, with a very strict and demanding counterpoint. Bach Fugue 16 in G Minor, BWV 861 Analysis Johann Sebastian Bach's Fugue 16 in G Minor is an example of a conventional fugue. The final fugue was the last he was ever to write, and also his longest. Notes on Fugue for Beginners - E. J. Dent 2014-03-06 Originally published in 1958, this book presents a concise guide to the structural elements of the fugue aimed at the beginner. From here it works its way back to the original key to endwith a Perfect Cadence on the Tonic Minor, A. The Fuga in each Sonata becomes the central movement due to its exceptional musical weight. Its second bar employs reminiscences of the early part of the Counter-subject. The theme can be traced back to Bach's organ concerto in A minor BWV 593, transcribed for organ from Antonio Vivaldi's concerto for two violins, Op.3, No.8, RV 522, part of his collection L'estro armonico. Does anyone have any sources I could use to talk about who influenced Bach? It was basically the same sequence of notes each time, but in a different range. Rhythm and harmony. As one critic remarked, this makes no musical sense whatsoever, but it does make enormous non-musical sense. UExcel Introduction to Music: Study Guide & Test Prep, Introduction to Music: Certificate Program, Introduction to Humanities: Help and Review, Introduction to Humanities: Certificate Program, WEST Middle Level Humanities (Subtests 1 & 2)(052/053): Practice & Study Guide, Humanities 201: Critical Thinking & Analysis, General Social Science and Humanities Lessons, English 103: Analyzing and Interpreting Literature, Create an account to start this course today. why was waylon jennings buried in mesa az; chop pediatric residency In his much cited response, Reger wrote: "Sebastian Bach is for me the Alpha and Omega of all music; upon him rests, and from him originates, all real progress! Eventually, the subject does return and the music continues on, presenting subjects and countersubjects until the composer adds another episode or ends the piece. Bars 8-9: Episode I, modulating from A minor to C major.Bars 9-11: Subject in Bass, with Counter-subject in Treble [C major].Bars 11-13: Episode II, modulating from C major to E minor.Bars 13-15: Answer in Treble, with Counter-subject in Alto [E minor].Bars 15-17: Episode III, modulating from E minor to A minor.Bars 17-19: Subject in Alto, with Counter-subject in Bass [A minor].Bars 19-21: Episode IV, modulating from A minor to D minor.Bars 21-23: Subject in Treble, with Counter-subject in Bass [D minor].Bars 23-25: Episode V, modulating from D minor to A minor. All Rights Reserved. Thus in the third fugue he turns it upside down, that is, where the original melody descends it now ascends and vice versa. Fugue in G minor BWV 578 has been added to your Cart . Daniel Herscovitch does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment. 1Eun-ho Kim, Form and Function in the Slow Movements of J. S. Bach's Three Sonatas for Solo Violin, BVW 1001, 1003, and 1005 (D.M.A. These slight alterations are made in order to make the workings even more elegant. . Baroque Composers & Music | Handel, Pachelbel, Bach & Vivaldi. The same it true of Sleepers, Wake, which was created in 1731 for use at the St. Thomas Church in Leipzig. A Pedagogical and Performance Edition of J. S. Bach's Violin Sonata I in G minor, BWV 1001, Transcribed for Guitar: Transcription, Analysis, Performance Guide, Pedagogical Practice Guide, and Recording. If you preorder a special airline meal (e.g. An additional source is the score made by the copyist Michael Gotthardt Fischer; it is now stored in the Irving S. Gilmore Music Library of Yale University. The alteration in the Answer, for the sake of tonality is made from the first note to the second. It is just that bit more adventurous, imaginative and tasteful than the rest. E-flat Major in book 1 has been a stumbling block for many. In the 1880s, American pupils of Liszt, particularly Carl Lachmund, attested to his pleasure in hearing or speaking about the fugue, be it at a Weimar dinner party in his honour, where students sang it together, or in a masterclass discussing its performance. This is in keeping with the late works of such diverse artists as Shakespeare, Beethoven and Goya, which exemplify how pathos, humour, gravity, exuberance and tragedy are inextricably enmeshed in the deepest recesses of the human psyche. [2], These pieces came to be played often on the organ in the 19th and 20th centuries, and were especially useful as teaching pieces for beginners. During his period in Rome, there was a service at the church of the French Embassy, where Liszt performed one of Bach's fugues: according to Stinson, Liszt is unlikely to have had the pedal technique required for any of the Great Six, so almost certainly it was one of the WTC. Site design / logo 2023 Stack Exchange Inc; user contributions licensed under CC BY-SA. He chose the edition of Haslinger as a starting point, although probably also consulted the 1844 Peters edition. Not only do the general figures on the surface support the function, the formal activities in each movement do as well. During the Renaissance, much of the music was based on words or lyrics, and each phrase of words would have its own melody. Fugue ANALYSIS: ENUNCIATION SECTION: Bars 1-3: Subject in Bass [A minor]. Prelude and Fugue No.16 in G minor, BWV 861 Analysis Tonic Chord, and Beethovens Third Piano Concert. Right from the start it is clear that this is an early Bach. In both cases, however, these are among the few avenues we now have to experience these marvels of Western civilisation. The versions of the 4-part fugue for BWV 543a and BWV 543 are identical; it lasts 151 bars. However, having stuck to the F-sharp minor version, Bach seemed to carry on making a feature of the lowered dominant, as shown by the second highlighted notes in Example 1. Coda: Bars 27-28. In the later version Bach was thinking on a larger scale and was considering the fugue and companion movement on a similarly large scale [] The simplest way of extending the early prelude was to double the note values of the passages cited and thus make its flow more even. Bach - BWV 559 Prelude and fugue in A minor - YouTube In this video you can hear the Prelude and Fugue in A minor (BWV 559), one of the eight little preludes and fugues attributed to. BWV 894 Prelude and Fugue in A minor; BWV 895 Prelude and Fugue in A minor; BWV 896 Prelude and Fugue in A major; BWV 897 Prelude and Fugue in A minor (Prelude by Dretzel, Fugue of uncertain authorship) BWV 898 Prelude and Fugue on 'B-A-C-H' (doubtful) BWV 899 Prelude and Fughetta in D minor (doubtful) Based on the principle of imitation. As usual Bach gives us almost no performance indications whatsoever, so it is each performers obligation to impart to each component of this work its own distinct character. "[4] Even though in 1952 the Bach scholar Walter Emery wrote about the works that "there seems no reason why they should not have been written about 173050 by some minor composer in central Germany, whether or not he was a pupil of Bach's," Williams thinks that the likely composerthe "eminence grise" as he puts itis most probably the composer Johann Caspar Ferdinand Fischer from Bohemia. 3, 6, 7, 10, 12, and 14 in the first part, and 19, 20, 23, 24, 27, and 29 in the second part. Bars 25-27: Subject in Bass. More adventurous, imaginative and tasteful. [2], According to David Schulenberg, the main sources for BWV 543 can be traced to the Berlin circle around Carl Philipp Emanuel Bach and Johann Kirnberger. The entrances continue until all voices have added their own touch to the subject. It has no Counter-subject. This fugue demonstrates several solutions for solving the common problems of composing a two-voice. Its like a teacher waved a magic wand and did the work for me. Coherence and Individuality of Each Sonata, IV. Sonate pour violon n 2 en la mineur; Sonata No. "[9], Through their connection with the publisher C. F. Peters, the family of Fanny, Rebecka and Felix Mendelssohn are known to have played in private or performed in public Bach organ works arranged for two pianos or piano four-hands. I wrote two alternate fugue expositions for one subject does either follow good harmonic conventions? [12], During that period, as a travelling musician, Liszt's pianistic pyrotechnics proved a huge attraction for concert-goers. Johann Sebastian Bach's The Art of Fugue is a work of high art. succeed. It is easy to forget that the purpose of Bachs keyboard output was primarily pedagogical. thesis, University of Cincinnati, 2002). Like a car chase, the melodies wind through twists and turns, each melody following the one before it. The trick is finding a way to entwine the melodies in a pleasing harmonic arrangement. The sources for BWV 543 are summarised in the section above. Asking for help, clarification, or responding to other answers. Here's the playlist :)https://www.youtube.com/playlist?list=PL613D1A6B3C4BBDF2 At Bars 4 and 5 the Themes appear in the Dominant Minor (E), covering the same ground (two bars) as at the commencement. The Connecting or Episodal work placed between the statements of the two themes in the Attendant keys is taken mainly from Bar 3, used in the first part of the Prelude by direct, and in the second part by contrary motion. How many pupils must have said to Johann Christoph Bach Id like more pieces by the composer of that fugue? This changing of keys is called modulation. Bach's Fugue in G minor dates from his early years as a church organist in Arnstadt. rev2023.3.3.43278. - Books, History & Timeline, What Is the Old Testament? As a concert pianist, however, Liszt was not drawn to the organ. Pedal Point Overview, Function & Examples | What is Pedal Music? This isn't a full answer, but you might find this: tandfonline.com/doi/full/10.1080/09298210802711660, sergeblanc.com/files/bach-sonatas-partitas-en.pdf, https://www.amazon.com/Bachs-Well-Tempered-Clavier-Depth-Interpretation/dp/9625800174/, We've added a "Necessary cookies only" option to the cookie consent popup, Chordal Analysis of Christian Petzold's Minuet in G (formerly attributed to J.S. Please help us to complete the musical heritage of Bach, by supporting us with a donation! When Liszt moved to Berlin in 1841, the first concerts where his new piano transcriptions of the Great Six were heard were at the beginning of 1842, with the E minor fugue of BWV 548 at the Singakademie and the A minor fugue of BWV 543 in Potsdam. Published by . In all, the interweaving melodies of the fugue make it a complex and challenging style to compose. Stinson (2006) points out that this kind of gimmickry was not uncommon at that time: "Indeed, [Liszt] is reported to have accompanied Joachim in the last movement of Mendelssohn's Violin Concerto with a lighted cigar in his right hand the entire time! For the few fortunate purchasers of the original print, it would have been played on whatever instruments they could play and had available at home. vegan) just to try it, does this inconvenience the caterers and staff? Bach's forty-eight fugues (Das wohltemperirte clavier) by Prout, Ebenezer, 1835-1909; Prout, Louis Beethoven. I feel like its a lifeline. Is there a term for the sort of analysis I am describing? Write an article and join a growing community of more than 160,500 academics and researchers from 4,573 institutions. Enrolling in a course lets you earn progress by passing quizzes and exams. In addition the triplet semiquavers in the later prelude are notated as demisemiquavers. Other Sellers on Amazon. 20274", "Sebastian Bachs Orgelfugen fr das Pianoforte: zu 4 Hnden eingerichtet", "Bach, J.S., Sechs Preludien und Fugen fr Orgel (vierh. Nevertheless, the pieces do amount to a fine book for learners, teaching whether or how to add pedal, use a second manual, and register according to so-called key characteristics."[2]. This score appears in Bach's compositions (set) Well-Tempered Clavier Book I (set) Currently Learning (set) Excepting in one instance at Bar 28 (Bass part), the two Themes always appear braced together; eight recurrences being found in each division of the movement. No. by Each part/voices enters in imitation of each other. Making statements based on opinion; back them up with references or personal experience. renato's palm beach happy hour Uncovering hot babes since 1919. 40 years later, Laurens' brother recalls their lunchtime conversation. Modulations from D minor to G minor should not be a big issue, since these keys share many common chords. It's the interweaving melodies that make the fugue complex and interesting. This sort of fast tune ending suddenly on an unexpected note is a typically whimsical musical gesture that we see in Bachs other early works. Ein Versuch zur Lsung von Autorschaftsproblemen", "Who really wrote the 8 short preludes and fugues? This Johann Christoph probably used the piece in his own lessons. To begin, Bach was a devout Lutherian, who played music for the church (Sherrane). Their modulations are also very simple. Basso Continuo Overview & Instruments | What is Basso Continuo? Nothing could be simpler, and it strains credulity that Bach could erect such a monumental edifice with seemingly unpromising material. Browse other questions tagged, Start here for a quick overview of the site, Detailed answers to any questions you might have, Discuss the workings and policies of this site. ABSTRACT The highly embellished cadence that followsfull of manual runs over sustained pedal notesleads into a contrapuntal exploration of the opening material in sequence; this is followed by a very free peroration. Gerhard Weinberger, Carl Christian Hoffmann Organ, St. Marien, This page was last edited on 26 March 2022, at 17:52. ucla environmental science graduate program; four elements to the doctrinal space superiority construct; woburn police scanner live. Starting in A minor, it moves to the Dominant Minor, E (Bars 4-5), and touches A minor (Bar 6), the Relative Major, C (Bars 7-8), the Subtonic Major, G (Bar 9), and the Subdominant Minor, D (Bars 10-11), before returning to the Tonic (Bar 12) to endwith a Half Cadence on the Dominant Major, E. Bars 17-32:Period II. The fact that the first complete performance of this work did not occur until 1922 has often been the subject of scandalised comment. But, the listeners might get bored if the music was just made up of subjects and countersubjects. The device of Imitation reigns supreme in this Prelude, being found in one shape or another in every bar, except the final bars of the two great divisions of the movement. The other movements surround the Fuga functionally: the first movement as a prelude, the third as a tension-reliever, and the fourth as a brilliant finale. [20][22] One of Straube's Leipzig pupils, Heinrich Fleischer, was called up for service in Germany in 1941; in Russia he was injured in an automobile accident in 1943; after three days of surgery at Rwno, he was informed that two fingers of his left hand would have to be amputated, one completely and the other partially. [13][14][15] While making the transcription in 1895 in Wiesbaden, Reger commented dismissively to Ferruccio Busoni, the Italian composer and fellow Bach transcriber, that, "Its too bad that Franz Liszt did such a bad job on his transcriptions of Bachs organ piecestheyre nothing but hackwork. The fugue is in three voices, and the first voice is often doubled. As an organist and church choirmaster, it's no surprise that most of his fugues were written for organ, harpsichord, or chorus. [20] Straube's organ playing reflected late-romantic style: as in Reger's works, his use of the Walze and Swell roller mechanisms, pioneered by Wilhelm Sauer, permitted rapid changes of dynamics and orchestral colour. Introduction, II. Johann Sebastian Bach was a master composer of the Baroque period who was known for his fugues. To learn more, see our tips on writing great answers. Later he realized that it reminded him of the theme of The Sicilian Clan, released one year earlier. But in keeping with the late works of artists such as Shakespeare, Beethoven and Goya, it contains elements of pathos, humour . This writer, however, prefers to play one of the many attempted completions, in this case that by the renowned British harpsichordist Davitt Moroney. She holds a master's degree in Education Media and Design Technology. These were all heavily influenced by other composers of the time such as Buxtehude and Bureister. After bars 36, there are semiquaver motifs in the manuals answered by similar motifs in the pedals: there are bris effects similar to those found in chorale prelude BWV 599 or the Passacaglia, BWV 582/1; and pedal motifs similar to those found in the chorale prelude BWV 643. One of J.S. Analysis of Bach's fugue BWV 851 in D Minor (WTC I) Jos Rodrguez Alvira The BWV 851 fugue in D minor is an excellent example of effective use of contrapuntal techniques like transformation by inversion or contrary motion, invertible counterpoint and stretti. The semiquaver figures begin as a solo in the manual:[1][2], and then, after a lengthy demisemiquaver embellishment over a tonic pedal point, are heard again in the pedal. Bach's contemporary relevance (Was ist mir Johann Sebastian Bach und was bedeutet er fr unsere Zeit?); as Anderson concludes, "The brevity of Regers essay, however, does not prevent the emergence of certain themes that are developed at greater length elsewhere in his writings: the nature of progress, the illness of contemporary musical culture, German nationalism, the guilt of the critics." After the subject is introduced, an answer is given. At Bars 9 and 25 a note is inserted a Passing Note between the first and third notes. As Beechey (1973) observes, "The more serious question concerning the opening passage of the prelude in its early and later versions is the fact that Bach changed his demisemiquavers to semiquavers [] and in doing so preserved a calmer mood and a less rhapsodic feeling in the music; this change, however, does not and cannot mean that the early version is wrong or that the composer was mistaken. For both of these chorale preludes from the Orgelbchlein, however, it is the systematic use of motifs that establish a particular musical mood. Prelude and Fugue in A minor (BWV 559) Passes through various keys before reaching the Dominant Minor at Bar 25. Songs of the Renaissance: Madrigals and Vocal Parts. Organ Instrument Types, Characteristics & History | How Does an Organ Work? No. As Stinson points out, "Liszt's lifelong advocacy of this movementas a performer, transcriber, and teacheris surely one reason for its enduring popularity. It is the fourth prelude and fugue in the first book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer. This Prelude is built upon the following figures (Bar 1: Theme I, Bass; Theme II, Treble), which change places with each other, at the distance of one bar, thoughout the greater part of the movement. Copyright 20102023, The Conversation US, Inc. Johann Sebastian Bach (aged 61) in a portrait by Elias Gottlob Haussmann, 1746. The voices are all in different ranges so that each time the subject enters, it can be clearly heard. Why is this sentence from The Great Gatsby grammatical? Peters. Calculating probabilities from d6 dice pool (Degenesis rules for botches and triggers). As each subject and answer are introduced, the music becomes more and more involved, layering melodies that combine to create harmony. Analysis of J.S. [3][4], There are two versions of the Prelude, both dating from the same period in Weimar (17081713). Contrapunctus 3](https://www.youtube.com/watch?v=6uH0CZ77Y7w), Source: [J.S.Bach: The Art of Fugue BWV 1080 (Fretwork) VI. [7] (A similarity had been mentioned by Wolfgang Schmieder, editor of the Bach-Werke-Verzeichnis.) CopyrightTonic Chord. The Music of J. S. Bach - David Schulenberg 1999-01-01 This volume contains contributions by nine scholars on two broad themes: the analysis of Johann Sebastian Bach . Musical Characteristics of the Set of Three Sonatas as a Whole, and V. Summary and Conclusion. As further evidence of the reputation of the fugue, Stinson observes that, "Schumann attended and reviewed Mendelssohn's only public performance of the movement, Liszt heard Clara play her piano transcription of it, and Clara eventually played Liszt's transcription. But Bach would never have envisaged a public rendition of any of these fugues, much less a performance of the complete work, which in any case was unthinkable in the context of the performance practice of the time.